Writers often comment on the difficulty of naming characters. But I didn’t have that problem with one of my earliest stories, which featured four children, sibling pairs, John and Wendy and Jack and Jane. Not very imaginative, I know, but I was ten when I wrote Sand Island, inspired by Enid Blyton.
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Episode 96 (28 July 2024): I open my eyes, blink and try to focus on the bright lights set into the white ceiling flying past overhead. I hear beeps and muffled voices. It feels like I’m strapped to a camp stretcher, but it’s moving. I’m on a hospital gurney. What happened? I want to ask. But there’s a tube down my throat, and I can’t talk.
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I arrive late for Josh’s athletics carnival. His mum and I attend school events on alternate years. “Tell Josh I’ll be there,” I’d said when she called to remind me about it. “Don’t let him down again, please,” she’d replied. The last event in Josh’s age group, the 1500 metres, is about to start.
Read MoreBy definition, brevity is the key to good microfiction. There is no time for plot and character development, so every word must count. ~ Robert Fairhead
I hope readers enjoy the short story journeys in Twelve More Furious Months and make it home in time for dinner. ~ Robert Fairhead
I look forward to the Writer's Centre's monthly Furious Fiction competitions because I've become addicted to the escapism of writing short stories! ~ Robert Fairhead
This slim book is hard to put down. And the only regret we may feel after reading it is that we reached the end too quickly! ~ Denise O'Hagan
There is no greater agony than bearing an untold story inside you. ~ Maya Angelou
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