To celebrate the introduction of 280-character Tweets by Twitter, Meanjin Quarterly ran a microfiction competition. The “@Meanjin Twiction” rules were simple, tweet a 280-character story and include the hashtag
The prize? The top ten stories to be published on the Meanjin Blog and the authors paid $1 a word.
I enjoy the challenge of the genre. There is no time for plot and character development; every word must count. The writer plunges the reader into the story and wrenches them back out, leaving it to the reader’s imagination to reflect upon what he or she has read, what lead to the situation, and how it might resolve itself.
We Need to Talk
And yet, as when writing longer-form fiction, the beginning and the end came to me first, and I just had to work out how to navigate from one to the other.
So, here it is – I hope you (and the Meanjin!) like it:
White walls, sweet antiseptic, tubes and wires, electronic beeps and the laboured, wheezing breath of my shrunken father.
We need to talk, soon. Not about the future or present; now we’ve only got the past.
But my phone distracts me. I wish we had more time and words!
© 2017 Robert Fairhead
N.B. I didn’t win the $50 or get published on Meanjin’s blog. But I repurposed the story for another microfiction competition run by the Australian Writers’ Centre in August 2019, as We Need to Talk in 29 Words (on Tall And True). And [proud puffing of cheeks] this was published on their blog!
Welcome to the blog posts and selected writing of a middle-aged dad and dog owner. Among other things, Robert is an editor and writer at Tall And True, an online showcase and forum for writers, readers and publishers. In 2020, he published his first collection of short stories, Both Sides of the Story (available from Amazon).